Secret police photographs of Ioannite community Ukraine

Item

Title

Secret police photographs of Ioannite community Ukraine

Description

The photographs come from a 1959 KGB criminal case against three members of an Ioannite community in Cherkasy region, Ukraine. The images were designed as a photo album pasted into the secret police file. They portray father Mitrofan, the priest of the community in his house, which had been turned into a clandestine chapel. The first photo collage shows father Mitrofan dressed in Orthodox vestments against a background of icons, performing a religious service and talking to women, seemingly his followers. The second photo collage records the ritual washing of feet, also performed in father Mitrofan’s home. These photographs differ from typical secret police arrest or surveillance images. They intend to depict religious community life in an apparently natural context. At the same time the good quality of the photos, taken with a bright artificial light, indicate that these representation of rituals were staged.
The last three images show the results of a police search of the clandestine chapel. The photos of cash confiscated during the police search and a table nicely served with food and drinks were used as incriminating evidence of the priest’s profiting from illegal economic activities. An image of a coffin and shelves with religious literature were intended to demonstrate the esoteric and fanatically sectarian nature of a repressed community. The last image constitutes a valuable source for the study of folk icons and handmade religious images circulated in the Soviet-era religious underground. It depicts confiscated and later destroyed icons used by the community. Apart from the portrait of father Mitrofan himself, there is an image of father John (Ioann) of Kronstadt, a famous Russian priest venerated by the community as a saint (hence the name of believers, the Ioannites). There is also a picture of Ambrose of Optina, placed together with the portrait of father John of Kronstadt in the same frame. Hieroschemamonk Ambrose was one of the most famous starets in Optina Monastery. He is pictured here on his deathbed. The choice of that image appears to be meaningful, as death and the afterlife were particularly sensitive issues for the community. The believers even built a clandestine Christian cemetery called “New Jerusalem”, photographs of which are also present in the secret police file as incriminating evidence.
Ioannitism was a popular apocalyptic and chiliastic movement that emerged from the Russian Orthodox tradition at the beginning of the 20th century. The Ioannites were mainly peasant believers from the Russian and Ukrainian countryside, who venerated father John of Kronstadt (1829-1909), an archpriest from a town near St. Petersburg, one of the most popular religious personalities in late imperial Russia. A charismatic preacher, he was known as a blessed healer and wonder-worker, “the first modern Russian religious celebrity, with his image in souvenir scarves, mugs, placards, and postcard” (Kizenko 2000:2). During his lifetime, the pilgrimage to Kronstadt became a mass phenomenon, as thousands of believers all over Russia travelled to Kronstadt to see the “prophet.” Ioannitism, however, never constituted a unified religious movement, neither theologically, nor organisationally. It was rather constituted of dispersed peasant communities and individual wondering book-sellers, prophets and prophetess united by the common apocalyptic vision of the world, and centred around the figure of father John. Some believers remained within the Russian Orthodox Church, venerating father John as a blessed worshiper; others worshiped father John as the prophet Elijah or the embodiment of the Trinity, or Jesus Christ himself, thus, cutting themselves off from the official Church structures.
In the early Soviet period, the Ioannites were persecuted as harmful ecclesiastic-monarchist sectarians. Driven underground, Ioannite communities built clandestine chapels and continued to live as underground monastic communities scattered from Western Siberia to Ukraine. Repression and shared underground experience drew the Ioannites together with catacomb True Orthodox communities. In the later years, this was even further facilitated by the Soviet secret services that made no distinction between the Ioannites and the True Orthodox Christians. Thus, the arrested believers in this criminal case were charged as the members of the True Orthodox Church.
Father Mitrofan was known among believers as a miraculous healer. The village of Osytniazhka, where he lived, attracted numerous pilgrims who sought his blessing and spiritual help. The trial of father Mitrofan and his followers in 1959 was widely publicised. Apart from the official trial, a show-like civil trial was also held, which was recorded and later turned into a propaganda film titled “The End of a Spider.” The verbatim record of the civil trial is attached to the secret police file. Some photos found in the secret police file also appear in the film, which proves that the film was made under the direct supervision of the secret services.
The photographs in this entry come from the State Archive Branch of the Security Services of Ukraine in Kyiv. The file reference is: fond 6, sprava 75174. The file consists of three volumes. Along with the photographs presented in this entry there are other images of the community and their religious artefacts. The file contains also numerous interrogation records of arrestees and witnesses. Three original Ioannite handwritten manuscripts of “The Dream of Father John of Kronstadt” are also attached to the file. Other confiscated religious writings, such as “The Explanation of the Apocalypse”, the brochure “Life story of starets father Mitrofan”, and Mitrofan’s homilies were destroyed as they are absent in the file. Their images, however, appear in the above mentioned propaganda film.

For further readings see:
Kizenko, Nadieszda. A Prodigal Saint: Father John of Kronstadt and the Russian People. Pennsylvania State University Press, 2003
Tepliakov, A.G. Ioannity Zapadnoi Sibiri v dokumentakh VChK-OGPU-NKVD (1920-1940 gody). Vestnik Tverskogo gosudarstvennogo universiteta. Seria: Istoria, 2010, vol. 30(4):128-136
Shugaeva, L. Ioannity: Techiia khiliastychno-eskhitalohychnoho spriamuvannia pravoslavnoho pokhodzhennia. Ukrainske relihieznavstvo. 2006, vol. 39:145-153

For related entries see:

Subject

Communism and Christianity--Europe, Eastern
Communism and religion
Communism--Europe, Eastern--History--20th century
Secret police (secret service)
Surveillance
Material culture--Religious aspects
Religion and politics--Europe
Religious sects
Christian sects--Soviet Union
Communism and culture--Soviet Union
Confiscations
Evidence photographs
Evidence, criminal
Folk icons
Monastic and religious life of women
Soviet Union. Ministerstvo gosudarstvennoĭ bezopasnosti
Vernacular architecture

Creator

Tatiana Vagramenko

Source

Галузевий державний архів Служби безпеки України
ГДА СБУ ф. 6, спр. 75174
https://ssu.gov.ua/

Publisher

This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme No . 677355
The research for this entry was funded by Irish Research Council, GOIPD/2017/764

Date

1959

Rights

Copyright for these images belongs to the State Archive Branch of the Security Services of Ukraine
https://ssu.gov.ua/

Format

Image/jpg
Photo

Language

RU

Type

Image

Identifier

SBU Archive, f. 6, spr. 75174
https://ssu.gov.ua/

Coverage

Ukraine
Soviet Union
20th Century

Bibliographic Citation

Tatiana Vagramenko, "Secret police photographs of Ioannite community Ukraine"

Date Created

2018